Hey, hope everyone’s doing well out there — I haven’t had a lot of time to spend on Tumblr over the last few months. Between my senior design project, a standard load of classes, and a freelancing schedule that gets more and more packed (I haven’t yet learned to say “no”) it’s been a struggle just to find time to sleep, never mind to write new stuff for here. I feel bad about it, and not out of some sense of obligation to the people who are reading this, but simply because I think writing in this space helps me to get better and cool down in a way that writing for money can’t. I only have four weeks of class left and a handful of exams, and then I’ll be finished, at which point I should be simply swimming in free time. We’ll see. Anyway, here are some things I’ve written over the last few weeks.
- I reviewed Major Lazer’s mediocre new EP Apocalypse Soon for Pitchfork.
- I reviewed Danish producer Tomas Barfod’s decent new EP Pulsing for Pitchfork.
- I reviewed Pharrell’s fun new record G I R L for TIME. I have some really exciting news about this review coming in a few days — probably just after the weekend — so stay tuned for that, you’ll definitely understand my excitement when you see it.
- Moving outside of the world of music criticism for a second, I’ve accepted an offer to work here at the University of Waterloo for a year starting in May. (I know, I’m counting down the days until I wrap up a degree here and then I’m coming right back, it’s ridiculous.) I’ll be returning to the department I’ve been working at in both full-time and part-time capacities for the last 16 months in a slightly upgraded role, and I’m so glad that they had a slot for me to come back as a Real Adult, at least for a while. I’m not sure what’s in store after the contract runs its course, but I’d happily continue moving up in the institutional sector if the work’s there.
- I’m going to see a real apartment tomorrow, and meeting with a financial planner next week. Adulthood: a little bit terrifying, but mostly totally thrilling!
- We bought a heater a few weeks ago and it sits by our patio doors. We sleep in the basement in this place, it’s our only source of outside light. I keep looking towards the doors as I’m writing this: the sun is out and it’s bright, and if I look at the window with the right focus I can see the waves of heat rising from the heater, shimmering and slightly warping the image of the glass. There’s magic in being able to see heat; we take it for granted because it typically moves unseen. I wanted to get that image down on paper in case I forget about it.
- I’ve been listening to the Clientele a lot over the next 24 hours, so before saying goodbye for now, here’s "I Hope I Know You." How does this band make it look so easy? See you in a few days/weeks.